Congratulations to Xinyi Cheng ('14) on the impressive review in the New York Times by Roberta Smith!

Also here are two works by Xinyi Cheng, a Chinese-born, Netherlands-based artist who is the youngest in the show. (She turns 30 next year.) Ms. Cheng contributes the exceptional “Harnessing the Wind,” which shows a cropped, largely pink close-up of a naked man who seems to be tumbling through space, very much at the mercy of the wind.

We can't wait to host Evelyn Hankins tomorrow!

Evelyn C. Hankins has been a curator at the Hirshhorn Museum and Sculpture Garden since 2007. While at the Hirshhorn, she has also organized an array of projects, including Mark Bradford: Pickett’s Charge (2017); Robert Irwin: All the Rules Will Change (2016); Susan Philipsz: Part File Score (2016); At the Hub of Things: New Views of the Collection (2014) (co-curated); Jennie C. Jones: Higher Resonance (2013); Over, Under Next: Experiments in Mixed Media, 1913-Present (2013); ColorForms (2010); Walead Beshty: Legibility on Color Backgrounds (2009); and The Panza Collection (2008). Currently, she is working on shows with Charline von Heyl (2018) and Pat Steir (2019). In addition to her exhibition responsibilities, Evelyn provides curatorial oversight for the Hirshhorn’s paintings and works on paper collections. Previously, she held curatorial positions at the Whitney Museum of American Art, New York, and the Robert Hull Fleming Museum at the University of Vermont, Burlington. She earned her M.A. and Ph.D. in art history from Stanford University.